OUR MISSION

Stanford White Gallery offers a selection of gilded frames that are inspired by the original designs of Stanford White and other classical frame makers such as Foster Brothers of Boston. The Gallery is committed to the highest standards of craftsmanship and authenticity, using traditional materials and techniques alongside modern technology to create gilded frames that are faithful to the designs of the past while also meeting the needs of contemporary collectors and art enthusiasts. The frames are crafted using state of the art and traditional techniques and materials, and many are adorned with intricate carvings and gilding. The gallery offers a selective collection of period frames, mainly the frames inspired by Stanford White’ original designs.

STANFORD WHITE LEGACY

Stanford White (1853-1906)
Stanford White changed the face of New York City in the late nineteenth and early twentieth centuries, transforming its drab, brownstoned exterior into a shimmering sea of Beaux Arts grandeur. If the robber barons, wheat kings and stock market wizards of America’s Gilded Age were truly the new Medicis, then they would need a new Michelangelo, and White filled that role brilliantly. He turned the dreams of the New World grandees into castles of luminous beauty and magnificence, and in the process left an indelible mark on his age.
— David Garrand Lowe (Stanford White’s New York)
Sketches and Designs by Stanford White, With an Outline of His Career. White, Lawrence Grant. Architectural Book Publishing Company. New York. 1920.
Sketches and Designs by Stanford White, With an Outline of His Career. White, Lawrence Grant. Architectural Book Publishing Company. New York. 1920.
Sketches and Designs by Stanford White, With an Outline of His Career. White, Lawrence Grant. Architectural Book Publishing Company. New York. 1920.


Sketches and Designs by Stanford White, With an Outline of His Career. White, Lawrence Grant. Architectural Book Publishing Company. New York. 1920.

Stanford White, a prominent figure in the architectural world, was also well-known for his exquisite custom frame designs, which were sought after by elite art collectors of his time. By combining his knowledge of architecture and design, White created frames that not only complemented the paintings they housed but also contributed to the overall aesthetics of the space they adorned.

PIERCED FRAMES

Pierced picture frames have a long history that can be traced back to the Middle Ages. In medieval Europe, carved wooden altarpieces and devotional objects were often adorned with intricate patterns of pierced tracery, which allowed light to filter through and create a sense of ethereal beauty. This same aesthetic was later applied to picture frames, particularly during the Renaissance period. Frames were often designed with pierced or carved tracery patterns that added visual interest and allowed light to play across the surface of the artwork. During the Baroque period in the 17th century, pierced frames became even more elaborate and ornate. Frames were designed with intricate scrolls, foliage, and other decorative elements that created a sense of drama and theatricality. In the 18th and 19th centuries, pierced frames continued to be popular, particularly in the neoclassical and Rococo styles. These frames often featured delicate scrollwork, floral motifs, and other intricate patterns that were achieved through the use of advanced woodworking techniques.

Today, pierced frames remain a popular choice for collectors and art enthusiasts. They are particularly well-suited to more traditional styles of artwork, such as oil paintings and watercolors. However, contemporary artists and designers have also adapted the pierced frame style to create more modern and abstract designs that make use of negative space and light. Overall, pierced picture frames are a testament to the enduring beauty and versatility of traditional woodworking techniques, and their appeal continues to endure across a wide range of artistic styles and periods.

Stanford White Santa Maria Novella Frame-Stanford White Gallery

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